Download: A Heavy Metal Adventure

LUCASARTS ENTERTAINMENT COMPANY PRESENTS A Heavy Metal Adventure by Tim Schafer ABOUT FULL THROTTLE ‘Round these parts there’s a legend...about the meanest, toughest, hard- ridin’est, gravel-chewing, punk-stomping biker of them all — Ben Whatsisname. There was the time Adri- an Ripburger — a chablis-swilling, limo-riding yuppie exec- utive—tried to take over Corley Motors, makers of the last real domestically produced motorcycle. He thought he could frame Ben for murder in the process. Ben had his bike BEN. Our anti-hero. MAUREEN (aka Mo). Born with trashed, the cops on his trail, his gang in ...
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LUCASARTS ENTERTAINMENT COMPANY PRESENTS

A Heavy Metal Adventure

by Tim Schafer,

ABOUT FULL THROTTLE

‘Round these parts there’s a legend...about the meanest, toughest, hard- ridin’est, gravel-chewing, punk-stomping biker of them all — Ben Whatsisname. There was the time Adri- an Ripburger — a chablis-swilling, limo-riding yuppie exec- utive—tried to take over Corley Motors, makers of the last real domestically produced motorcycle. He thought he could frame Ben for murder in the process. Ben had his bike BEN. Our anti-hero. MAUREEN (aka Mo). Born with trashed, the cops on his trail, his gang in jail and his pic- Leader of the Polecats. a silver monkey wrench in ture on Corville’s Most Wanted TV show. Born to be ornery. her mouth. Don’t take no But that didn’t stop Ben — and it shouldn’t stop you, Bad to the bone. gaff from nobody. either, as you help Ben survive one of his gnarlier adven- 2 tures. Slug your way through rival motorcycle gangs like the 3 Rottwheelers, Vultures and Cavefish. Leap yawning crevass- es and trade snappy repartee with sleazy semi drivers. Hop on your hawg, pop a wheelie, and leave your enemies with dust in their eyes and bugs between their teeth. But bike-riding and brawling weren’t enough to make Ben a great biker — Ben had brains as well. You’ll occasionally find a situation where brute force just won’t cut it. Be ADRIAN RIPBURGER. Pond slime in OLD MAN CORLEY. Don’t be patient, practice deceit and larceny — excuse me, negotia- an Armani suit. We’d call him a fooled by the suit. He’s a tion and - um - “borrowing” stuff — and you’ll find your way weasel at heart, if he had a biker at heart. He’s devoted out of the toughest spot. And if all else fails, kick and heart and it wasn’t an insult to to turning out the best and punch the #%!! out of it. respectable weasels. Devoted baddest domestically-pro- to...Adrian Ripburger. duced bike money can buy., NESTOR. Intelligent, BOLUS. Primal pond slime. EMMET. Long-haul trucker. HORRACE. Took too many falls sneaky pond slime. Short-fuse temper. off the bike without a hel- Regards bikers as roadkill met. Old Man Corley took on wheels. pity on him and gave him the souvenir concession. 4 5 MIRANDA. Thinks of herself as SUZI. Vulture leader. TODD. Lives in a trailer. Owns QUOHOG. Bartender at the an investigative reporter. Brilliant strategist. a junkyard. His best friend is Kickstand. Devout coward. Lost her ideals her second Built like a brick Buick. his dog. His only friend is Subject to bribery, intimi- semester in journalism school. Has a tattoo that reads his dog. Enjoys intellectual dation, and abuse. Always vaguely ashamed when she “I ♥ Cruel and Unusual TV like Wheel of Money and Hobby: Macrame. manifests traces of humanity. Punishment.” Entertainment This Evening.,

PLAYING THE GAME To make Ben walk, move the cursor to

To start the game, please follow the instructions in the the point or area on the screen you want reference card included in the package. him to go and click the left mouse but- As the story opens, Ben is reminiscing and we see the ton. If you have played an adventure game Corley Executive Limo/Hovercraft cruising down the highway. before, you may be saying, “Where’s my These non-interactive sequences are known as “cut-scenes” — * * * * * * * * * * interface? short, animated sequences, like scenes from a movie — which Move the cursor over the * Where’s my can provide clues and information about the characters. various verb icons in * inventory?” Cut-scenes are also used to show special animated sequences, the interface and left * No, they didn’t get ripped off such as when Ben wakes up after his involuntary nap in the click to ativate them: * while Ben was in the dumpster. To dumpster. When you are viewing a cut-scene, you do not direct VERB ICON FUNCTION * display the interface, move the the action. * cursor around the screen until6 You begin directing Ben’s actions as soon as he awakens * you see a red frame around the from his “nap.” You should see a crosshair-like cursor. Look at/ * crosshairs. Now hold down on the Sometimes this will appear as a red arrow (if Ben is on foot) Examine left mouse button, and you will or a highway sign (if Ben is on his bike). These will indicate * see the interface. For example, directions Ben can travel — exits from the current screen, Talk to/ * * to use Ben’s motorcycle, youyou might say. Use mouth would move the cursor over the A note about the mouse: If your mouse has two buttons, your * motorcycle, press the left mouse left button will control most of the action throughout the *Pick up/ button, then move the cursor over game. The right mouse button controls your inventory. If *Punch/Use the hand symbol until it clenches your mouse has only one button, then that button acts as the * into a fist, and then let go of “left” mouse button and the keyboard key “i” acts as the * the button. right. Please consult the reference card for more informa- * To display the inventory, tion. Kick * type “I” or click the right, mouse button. You will TALKING TO CHARACTERS now see up to four inven- Occasionally, even the most grim biker-of-few-words tory items. You may cycle needs to talk to another human being, to indulge in such through the entire pithy eloquence as “Gimme a brew” or “Where’s the john?” If inventory you have at you want to talk to a character in the game, move the cursor that moment by clicking over the character, bring up the interface, and then move on the right or left the cursor over the mouth of the skull until the tongue arrows (if they are visi- comes out. You may then see a selection of conversational ble. If they aren’t visi- options for Ben. Just click once on whatever seems the ble, you’re looking at right, or interesting, thing to say. Unlike real-life biker all the inventory you’ve bars, you will never get killed for saying the wrong thing, got at that moment.). To examine an inventory item, put the and you can always come back and try saying something else. 8 cursor over it and click the right mouse button. If you wish 9 to use an inventory item, put the cursor over it and click RIDING THE BIKE the left mouse button. The inventory skull should disappear When Ben is on his bike in an interactive highway and the cursor should now be the item you have selected. To sequence, you can swerve left or right by moving the mouse use it with an onscreen item, move the cursor over the on- in those directions. If you want to select a weapon, click screen item until the item on the cursor glows yellow, then the right mouse button. If you want to use a weapon, click click the left mouse button. The inventory skull will dis- the left mouse button. If at first you don’t succeed, punch, appear when you move the cursor outside the skull. If you punch, punch. You can always try a bigger weapon. decide not to use an inventory item, left click inside the To take an exit, click the left mouse button when you see inventory skull or outside when the item is not highlighted the EXIT sign. and it will vanish.,

GENERAL CONTROLS CUSTOMER SUPPORT 4. What network software are you running? What version number?

To find out more specifics on how to control Ben and his Before contacting customer support, please consult the technical help file. It contains the Online Services with Activision Forums, E-Mail vehicles in the highway sequences, the demolition derby and answers to some of our most frequently asked and File Library Supportquestions and may quickly and easily provide a the arena, please consult your reference card. solution to your difficulty. If after reviewing For support via the web please visitthe technical help file you are still http://www.activision.com/support or e-mail experiencing problems, please feel free to support activision.co.uk contact us through any of the online services

SCREEN SAVERS listed. In order to assist us when dealing with CUSTOMER AND TECHNICAL SUPPORT IN EUROPE

your difficulty, please have the following For your amusement, we have included screen savers in the information ready when you call or attach it to For Customer Support you can contact Activision your email to support activision.co.uk. game displaying 3-D views of the cool Full Throttle vehi- in the UK on +44 (0)8705 143 525 between thehours of 8.00am and 7.00pm (UK time) Monday to 1. Complete product title. cles. For prices and leasing agreements, see your local Friday with the exception of holidays.2. Exact error message reported (if any) and a brief description of the problem. Corley Motors dealer. For Technical Support, please contact: + 443. A copy of your Direct X Diagnostics report. (0)870 2412148 between the hours of 8:00am and To access this go to Start – Run and type 7:00pm (UK time) Monday to Friday and Saturdays dxdiag c:\dxdiag.txt and press ENTER. 8:00am to 5:00pm with the exceptions

OUR GAME DESIGN PHILOSOPHY The report will be found in your My Computer of holidays.C: drive.

10 We believe you buy games to be entertained, not to be Your calls may be monitoredIf you are experiencing difficulty with the 11 whacked over the head (and tossed into a dumpster) every multiplayer or online portion of the product, For Technical Support and Customer Service inplease assist us by having the following areas not listed,please contact your local time you make a mistake. So we don’t bring the game to a additional information ready when you call. distributor or Activision via online. (Please note theonline support is available in English only). screeching halt and run you off the road when you poke your If you are using a modem:1. What kind of modem is on each end (brand, nose into a place you haven’t been before. Unlike conven- model, speed, internal or external)?2. Do you have more than one modem? tional computer games, you won’t find yourself accidental- 3. On which port is each configured?4. Does Hyperterminal (or any other terminal ly stepping off a path or dying because you’ve picked up a program) work with your modem? This is an easy way to test whether or not your modem is sharp object. Anything potentially disastrous that happens configured correctly.5. At what speed are you connecting? to Ben is supposed to happen to him. A biker’s life is not a 6. Have you made sure data compression, error detection, and flow control is turned OFF? stroll through the mall. Refer to your modem’s manual to do this.If using an external modem: 1. What kind of serial card is being used? 2. Do you have a seven-wire serial cable? If you are on a LAN: 1. Can you see other computers on the network? 2. What is your network configuration? 3. What brand of network card do you have?,

FULL THROTTLE CREDITS INSANE™ Programmed by: Vince Lee

Starring the voices of: Roy Conrad, Mark Hamill & Kath Soucie Additional Programming by: Paul D. LeFevre & Matthew Russell Writer, Designer & Project Leader: Tim Schafer Featuring Music by: The Gone Jackals Lead Artist: Peter Chan Additional Songs by: Chitlins, Whiskey & Skirt Lead Animator: Larry Ahern Orchestral Composer & Music Producer: Peter McConnell Lead Programmer: Stephen R. Shaw Lead Sound Designer: Clint Bajakian Programmers: Mark Crowley, Hwei-Li Tsao, Sound Designers: Jonathan Hoffberg & Mark Crowley Tim Schafer, Jonathan Ackley & Dave Grossman Voice Producer & Director: Tamlynn Barra System Programmer: Aric Wilmunder Voice Editor & Production Coordinator: Khris Brown Production Managers: Casey Donahue Ackley & Tamlynn Barra Featured Voices: Alex Bennett, Hamilton Camp, Tress MacNeille, Animators: Pete Tsacle, Anson Jew, Charlie Ramos & Leonard Robel Pat Musick, Bill Farmer, Maurice LaMarche, Nick Jameson, Background Artists: Peter Chan & Brian Rich Mal Friedman, Jack Angel, Scott Bullock, Steve Blum, Denny Delk 3D Vehicle Models: Richard Green & Zachery Barton 12 Character Designs: Larry Ahern Product Marketing Manager: Barbara Gleason 13 Vehicle Designs: Peter Chan Product Support: Mara Kaehn (Manager), Jason Deadrich 3D Artists: David Vallone, Dan Colon & Richard Green (Supervisor), Tabitha Tosti & the Product Support Team Art Technicians: Lleslle Aclaro, Michele Harrell & Kim Balestreri Public Relations Manager: Sue Seserman Lead Testers: Chris Purvis, Jo “Captain Tripps” Ashburn Public Relations Associate: Tom Sarris & Dana Fong Key Accounts Manager: Meredith Cahill Testing by: Reed Derleth, Leyton Chew, John Hannon, Albert Chen, International Manager: Lisa Star Darren Johnson, Ryan Kaufman, Tabitha Tosti & William W. Burns Manufacturing Manager: Jason Horstman Compatibility Testing: Chip Hinnenberg & Doyle Gilstrap Package Design: Richard Green, Peter Chan & Terri Soo Hoo SCUMM™ Programmed by: Aric Wilmunder, Ron Gilbert, Cover Illustration: Richard Green, Anson Jew & Peter Tsacle Brad P. Taylor & Aaron Giles Manual Written by: Jo Ashburn & Mark Cartwright iMUSE™ Programmed by: Michael Z. Land, Peter McConnell Manual Design: Mark Shepard & Michael McMahon Special Thanks to: George Lucas & Bob Roden,

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