Download: 1 2 There is one musical contribution to The Dark Knight Rises that clearly demonstrates the amongst others- Hans sets creative goals for a project

There is one musical contribution to The Dark Knight Rises that clearly demonstrates the amongst others- Hans sets creative goals for a project higher than you ever thought possible or importance of Hans Zimmer as a creative collaborator. It explains why, eight years ago, as a first practical. He took the same approach with The Dark Knight Rises, crafting a magnificent and totally time tentpole filmmaker, I so needed his help with reinventing Batman. A fresh musical approach unexpected suite for our new villain as we were just starting to shoot. Hans pinpointed our prison was going to be a key...
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There is one musical contribution to The Dark Knight Rises that clearly demonstrates the amongst others- Hans sets creative goals for a project higher than you ever thought possible or importance of Hans Zimmer as a creative collaborator. It explains why, eight years ago, as a first practical. He took the same approach with The Dark Knight Rises, crafting a magnificent and totally time tentpole filmmaker, I so needed his help with reinventing Batman. A fresh musical approach unexpected suite for our new villain as we were just starting to shoot. Hans pinpointed our prison was going to be a key component, but beyond that I needed the help of a master- someone who world as the seed of an evil spreading across the world, and we were able to incorporate that notion had faced such huge odds and emerged unscathed. For me Hans Zimmer was the sound of into the shooting of the sequences, leaning more and more on the significance of the sound of evil contemporary movies and I was delighted when he agreed to talk about the project. I was less rising. Here you see the essence of Hans’ approach. He is not playing along - his greatest thinking delighted with his initial thoughts - why make the music heroic? Why not play the tragedy and is not even done to picture - Hans sees through the screen to the dark beating heart of the story and nobility of the tale, like an Elgar concerto? Fear provided a couple reasons right away, but then I is faithful to that and only that. started to learn the method to Hans’ madness... an unerring ability to hone in on the one thought that cracks a project open. The darkly romantic, lush score, with its strangely minimalist core But this is not the contribution to which I was referring. that he and James Newton Howard labored over with such passion brought new ways of tapping emotion and pathos within the context of relentless action. The sound was fresh, distinctive and The musical contribution in The Dark Knight Rises that most clearly demonstrates Hans’ importance has been mercilessly plundered by every action movie (or at least their trailers) since 2005. as a creative collaborator is not to be found on this record. He did not write a note of it. It is a hinge point of the entire film and it is the lonely fragile voice of a boy singing the National Anthem The score for Batman Begins dominated the direction of blockbuster movie music for everyone at the center of a massive, crowded football stadium. While we were considering how to stage except Hans, who, when we came to revisit Gotham, insisted on moving in a completely different this sequence I called Hans to ask what big draw artists we might convince to do a star spangled direction for the crazed, tortured sound of the Joker, and refused to let us put in our favorite cues cameo. He threw out a few ideas, trying to get into the spirit of the thing. Then called me back a few from the first film, insisting on pushing further towards a destination that only he could hear. minutes later, gently suggesting I might be betraying the spirit of our endeavor. He told me to make Hans has sometimes been accused (not within earshot) of taking the long way round, but what the most instinctive and unconscious connection with the lonely boy at the genesis of our story. I’ve seen over the last eight years is that you have to take the long way round to find the new It was the sort of priceless contribution that gives you goosebumps and reveals your dangerous sound, the new approach. I have never worked with someone so dedicated to the idea that the dependence on a collaborator. I told him I’d think about it. real risk is in playing it safe. Hans taught me that you have to pull aggressively in the wrong direction to discover the possibilities- and that without discovering the possibilities you can never CHRISTOPHER NOLAN do anything exceptional. Together with his team of extraordinary collaborators, Lorne and Mel June 1, 2012, MuSIc coMPoSEd ANd ArrANGEd By: HANS ZIMMER ScorE coordINATor: ANdREw ZACk MuSIc PrEPArATIoN: BOOkER wHITE AddITIoNAL MuSIc By: LORNE BALfE ANd TOM HOLkENBORG uK MuSIc LIBrArIAN: JILL STREATER, GLOBAL MuSIC SERvICE AMBIENT MuSIc dESIGN: MEL wESSON ScorE rEcordEd AT: AIR LyNdHuRST, LONdON uk AddITIoNAL ArrANGEMENTS: ScorE rEcordEd By: GEOff fOSTER ANdREw kAwCZyNSkI, JASHA kLEBE, STEvE MAZZARO ANd RAMIN dJAwAdI ASSISTANT ENGINEErS: AdAM MILLER, LAuRENCE ANSLOw ANd JOHN PRESTAGE ALBuM ProducEd By: STEPHEN LIPSON orcHESTrA coNducTEd By: GAvIN GREENAwAy ANd MATT duNkLEy ALBuM co-ProducEd By: CHRIS NOLAN, ALEx GIBSON ANd HANS ZIMMER BooTH rEAdEr: THOMAS fARNON MuSIc ProducTIoN SErVIcES: STEvEN kOfSky orcHESTrA LEAdEr: PERRy MONTAGuE-MASON SoLo cELLo: ANTHONy PLEETH ANd MARTIN TILLMAN PrINcIPAL VIoLA: PETER LALE SoLo VIoLIN: ANN MARIE CALHOuN PrINcIPAL BASS: MARy SCuLLy SyNTH ProGrAMMING: HOwARd SCARR ANd HANS ZIMMER PErcuSSIoN: PAuL CLAvIS, GARy kETTEL ANd fRANk RICOTTI SuPErVISING MuSIc EdITor: ALEx GIBSON PrINcIPAL HorN: RICHARd wATkINS MuSIc EdITor: RyAN RuBIN PrINcIPAL TroMBoNE: RICHARd EdwARdS TEcHNIcAL coNSuLTANT: CHuCk CHOI PrINcIPAL TuBA: OwEN SLAdE dIGITAL INSTruMENT dESIGN: MARk wHERRy SyNTHESIZErS: HANS ZIMMER SAMPLE dEVELoPMENT: SAM ESTES, MICHAEL HOBE ANd CLAudIuS BRüSE GLoBAL cHANT LEAdEr: CJ SINGH SuPErVISING orcHESTrATor: BRuCE L. fOwLER cHoIr Boy: THOMAS JESTy orcHESTrATorS: ScorE MIxEd By: STEPHEN LIPSON, ALAN MEyERSON ANd dANIEL kRESCO wALTER fOwLER ScorE MIxEd AT: REMOTE CONTROL PROduCTIONS, SANTA MONICA, CA kEvIN kASkA ASSISTANT ENGINEErS: SATOSHI NOGuCHI, LORI CASTRO ANd CHRISTIAN wENGER yvONNE SuZETTE MORIARTy ALBuM MASTErEd By: PAT SuLLIvAN Of BERNIE GRuNdMAN MASTERING RICk GIOvINAZZO STudIo MANAGEr For rEMoTE coNTroL ProducTIoNS: CZARINA RuSSELL ELIZABETH fINCH CARL RydLuNd ExEcuTIVE IN cHArGE oF MuSIc For WArNEr BroS. PIcTurES: PAuL BROuCEk ANdREw kINNEy ExEcuTIVE IN cHArGE oF MuSIc For WATErToWEr: JASON LINN GEOff STRAdLING ArT dIrEcTIoN: SANdEEP SRIRAM Ed NEuMEISTER MuSIc BuSINESS AFFAIrS ExEcuTIVE: LISA MARGOLIS orcHESTrA coNTrAcTor: ISOBEL GRIffITHS ASSISTANT orcHESTrA coNTrAcTor: CHARLOTTE MATTHEwS PuBLISHEd By WArNEr-oLIVE MuSIc LLc (AScAP), ExTRA SPECIAL THANkS TO JAMES NEwTON HOwARd. HANS ZIMMER wOuLd LIkE TO THANk: cHrISToPHEr NoLAN, EMMA THoMAS, JordAN GoLdBErG, cHArLES roVEN, JEFF roBINoV, THoMAS TuLL, LEE SMITH, WALLy PFISTEr, dAVId HALL, rIcHArd KING, GAry rIZZo, GrEGG LANdAKEr, PAuL BroucEK, SuE KroLL, MIcHAEL TrITTEr, JoHN LIMPErT, JASoN LINN, SANdEEP SrIrAM, MIcHAEL BrEIdENBrücKEr, BoNNIE ABAuNZA, BrENdyN AdAMS, MAdELENE ALBrIGHT, dAN ALoNI, ryELANd ALLISoN, MAx AruJ, PETEr ASHEr, BoB BAdAMI, JoSEPH BILLE, TIFFANy BordENAVE, Ed BuLLEr, ALISoN BurToN ANd THE STAFF AT AIr STudIoS, cANdAcE cArLo, LorI cASTro, LouISA, PHILINA, NINo, ISABELLE ANd ANdrEAS cErdAN, roNNI cHASEN, cHucK cHoI, PAuL cLAVIS, LELANd cox, dEAdMAu5, rAMIN dJAWAdI, SHEILA E., ArIEL EMANuEL, SAM ESTES, ANToNy GENN, JAMES, TrISH ANd MAx GoLFAr, PETEr GorGES, urS HEcKMANN, MIcHAEL HEIN, AxEL HENSoN, MIcHAEL HoBE, ELIZABETH ANd MArTIN HoLdGATE JoErG HuETTNEr, STEFAN HuNd, HENry JAcKMAN, GErT JALASS, PAuL KELLETT, KAI KrAuSE, cHAZ LABrEcquE, JAMES S. LEVINE, KEN MAcBETH, cHrISTINA MANSKy, LISA MArGoLIS, NILS MoNTAN, GIorGIo MorodEr, SEBASTIEN NAJANd, AMoS NEWMAN, rIcH NEVINS, BrENdAN ANd cHrISTINA NoLAN, FLorA, rory, oLIVEr ANd MAGNuS NoLAN, ryAN oucHIdA, KATHy ANd STEPHEN PAINE, WoLFGANG PALM, HEITor PErEIrA, KyLE quIBELAN, A. r. rAHMAN, cArLoS MENdoZA roHdE, LEE roSSIGNoL, JEFF SANdErSoN, AdAM ScHMIdT, JAcoB SHEA, SHALINI SINGH, PETEr SNELL, NoAH SoroTA, ANdrEAS STELLING, cHrIS STroNG, roBErT THoMAS, BoBBy THorNBurG, HELGE ToPKA, HELGE VoGT, roBErT WEIL, ErIc WHITAcrE, PHArrELL WILLIAMS, JuNKIE xL, BrIGITTE ZIMMEr, Zoë ZIMMEr, JAKE, ANNABEL, MAx ANd SuZANNE ZIMMEr. THANkS TO: PETEr AxELrAd, rocco cArroZZA, cJ coyNE, dAN coyNE, JoE KArA, KEVIN KErTES, Ny LEE, KrIS LITTLE, NIGEL Mccorry, GENEVIEVE MorrIS, JoHN F.x. WALSH, roBErT ZIcK, orIGINAL MoTIoN PIcTurE SouNdTrAcK 1. A STORM IS COMING 2. ON THIN ICE 3. GOTHAM’S RECkONING 4. MINd If I CuT IN? 5. uNdERGROuNd ARMy 6. BORN IN dARkNESS 7. THE fIRE RISES 8. NOTHING OuT THERE 9. dESPAIR 10. fEAR wILL fINd yOu 11. wHy dO wE fALL? 12. dEATH By ExILE 13. IMAGINE THE fIRE 14. NECESSARy EvIL 15. RISE 16. BOMBERS OvER IBIZA (JuNkIE xL REMIx) 17. THE SHAdOwS BETRAy yOu 18. THE ENd ALBuM ProducEd By: STEPHEN LIPSON ALBuM co-ProducEd By: CHRIS NOLAN, ALEx GIBSON ANd HANS ZIMMER ExEcuTIVE IN cHArGE oF MuSIc For WArNEr BroS. PIcTurES: PAuL BROuCEk ExEcuTIVE IN cHArGE oF MuSIc For WATErToWEr: JASON LINN & © 2012 WaterTower Music, 4000 Warner Blvd., Burbank, CA 91522. Motion Picture Artwork © 2012 Warner Bros. Entertainment Inc. Motion Picture Photography © 2012 Warner Bros. Entertainment Inc. and Legendary Pictures Funding, LLC. BATMAN and all related characters and elements are trademarks of and © DC Comics. All rights reserved.]
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